Tuesday, March 20, 2012

APOD's Terrestrial Images

Do you know APOD? 

Well, you should. It’s an example of the breathtaking benefits of the Internet, a labor of love that has been running for many years and continues to give us incredible views of our universe. Every day, every day, “. . . a different image or photograph of our fascinating universe is featured, along with a brief explanation written by a professional astronomer.”  Many of the images are from the Hubble Telescope but many others are from observatories and individuals around the world.

Personally, the pictures that strike me most deeply and cause me to catch my breath are those on a cosmological scale – galaxies, galaxy clusters, superclusters, pillars of star creation, etc. But APOD is replete with images that include the earth or near-earth. These are also extremely affecting in a different way. 

For you who have never visited this wonderful site, go now, go see, go marvel. Go to                 
                                                  http://apod.nasa.gov/apod/  
In the meantime, here are a few images selected almost at random from the many terrestrial images.

RECOMMENDED: As you probably know, clicking on the picture will produce a larger image. And, clicking on the title (e.g., "Castle and Meteor by Moonlight" just below) will take you to the APOD page with an even larger image plus descriptive information.

a medieval castle near Veszprem, Hungary
Jupiter near center, Pleiades to left; can you spot the meteor?




Port Campbell National Park, Victoria, Australia
water in front of two rocks shows shadows thrown by Milky Way





2011 February 28: Red Snow Moon over Edmonton
Edmonton, Alberta, Canada
very long lens, plumes of steam from neighboring oil refineries





2011 September 16: September's Harvest Moon
Turin, Italy, Basilica of Superga
Harvest Moon




Catalonia, Spain
sculpture depicting legendary battle; bright moon with Venus to left, Jupiter near top





Stonehenge, U.K.
Summer solstice, 2008




2010 July 14: Easter Island Eclipse
Easter Island
total solar eclipse, July 11




2010 September 15: Clouds, Birds, Moon, Venus
Spain
the title says it all




Perth, Australia
Australia Day celebrations, Comet McNaught, storm clouds




Nevada
historic kilns to process local wood into charcoal




near Merida, Spain
active sunspot groups visible on Sun


These are just a tiny fraction of all the terrestrial images available, not to mention those, far more, of objects at cosmic distances. Do look.

Sunday, March 18, 2012

It's Been a Lovely Spring

Yes,  it’s been a lovely spring and it starts the day after tomorrow. Tuesday, March 20, at 12:14 a.m. CDT, to be exact. Spring (or vernal) equinox. Equal day and night. See.

As you probably know, clicking on the picture will produce a larger image (recommended).


The posting of December 21, 2011 on this blog noted the approach of winter, i.e., the winter solstice. In that posting I said “Winter is a lovely, cold, bleak time of the year and I love it.” 

How wrong can a person be? Winter, in fact, has been a lovely spring. O Nature, what have we done to thee?!

Nevertheless, spring is nearly here and we must celebrate it (albeit perhaps with some trepidation). A favorite spring poem of mine, and probably of yours, is this one.

                    in Just-
                   spring    when the world is mud-
                   luscious  the little
                   lame balloonman

                   whistles   far   and wee
                   and eddieandbill come
                   running from marbles and
                   piracies and it’s
                   spring
                   when the world is puddle-wonderful

                   the queer
                   old balloonman whistles
                   far   and   wee
                   and bettyandisbel come dancing

                   from hop-scotch and jump-rope and

                   it’s
                   spring
                   and
                          the

                   goat-footed

                   balloonman whistles
                   far
                   and
                   wee


-      e. e. cummings


Another, rather shorter one is equally my favorite:

                      Sitting quietly, doing nothing;
                      Spring comes, and the grass grows by itself.                    
                                                                     - Zenrin Kushu


What is the Zenrin Kushu, you ask? A goddamn treasure, I say.

But away with poems; I would conceal nothing from you. The red bud tree in my yard is all that need be said about spring.




Saturday, March 17, 2012

ZTV - The Ten Oxherding Pictures (2)


One version of the oxherding pictures was the subject of the January 13, 2012 posting. As promised there, an alternative version is presented here.

There are two pictures here that basically precede the earlier version, and two that follow it, so that the first version is essentially telescoped here into pictures 3 through 8. It may be recalled that the last picture of the earlier version was titled "Both Vanished," symbolizing the Buddhist "emptiness." Some adepts felt that this was misleading and omitted the important notion of the bodhisattva, the person who, after reaching enlightenment, returns to the world as an agent of compassion and for the benefit of all.

                                                       1. Search for the Bull
                                
In the pasture of this world,
I endlessly push aside the tall grasses in search of the bull.
Following unnamed rivers,
lost upon the interpenetrating paths of distant mountains,
My strength failing and my vitality exhausted,
I cannot find the bull.

I only hear the locusts chirring through the forest at night.
                                        


                                                   2. Discovering the Footprints

Along the riverbank under the trees,
I discover footprints!
Even under the fragrant grass I see his prints.
Deep in remote mountains they are found.
These traces no more can be hidden than one's nose,
looking heavenward.


3. Perceiving the Bull

I hear the song of the nightingale.
The sun is warm, the wind is mild,
willows are green along the shore,
Here no bull can hide!
What artist can draw that massive head,
those majestic horns?


4. Catching the Bull

I seize him with a terrific struggle.
His great will and power are inexhaustible.
He charges to the high plateau far above the cloud-mists,
Or in an impenetrable ravine he stands.


 5. Taming the Bull

The whip and rope are necessary,
Else he might stray off down some dusty road.
Being well trained, he becomes naturally gentle.
Then, unfettered, he obeys his master.


6. Riding the Bull Home

Mounting the bull, slowly I return homeward.
The voice of my flute intones through the evening.
Measuring with hand-beats the pulsating harmony,
I direct the endless rhythm.
Whoever hears this melody will join me.


7. The Bull Transcended

Astride the bull, I reach home.
I am serene. The bull too can rest.
The dawn has come. In blissful repose,
Within my thatched dwelling
I have abandoned the whip and rope. 


8. Both Bull and Self Transcended

Whip, rope, person, and bull --
all merge in No-Thing.
This heaven is so vast no message can stain it.
How may a snowflake exist in a raging fire?
Here are the footprints of the patriarchs. 


9. Reaching the Source

Too many steps have been taken
returning to the root and the source.
Better to have been blind and deaf from the beginning!
Dwelling in one's true abode,
unconcerned with that without --
The river flows tranquilly on and the flowers are red. 


10. In the World
Barefooted and naked of breast,
I mingle with the people of the world.
My clothes are ragged and dust-laden,
and I am ever blissful.
I use no magic to extend my life;
Now, before me, the dead trees become alive. 

Six (Billion) Characters in Search of an Author


Luigi Pirandello was a noted Italian author and dramatist. In 1921 he wrote what would become one of the most famous plays of the 20th century: “Six Characters in Search of an Author” (Sei personaggi in cerca d’autore), a radically experimental comedy (?) , a landmark of modernist drama that foreshadowed the theater of the absurd. 

Briefly: as a company of Actors are rehearsing a play (one of Pirandello’s!), they are interrupted by a small group of people who come upon the stage and make the bizarre claim that they are Characters who were left unrealized when an artist couldn’t  complete their story. They are searching for an Author to give them an existence. They propose that the Director (of the play in rehearsal) do this, after they show him and the Actors who they are by playing it out on the stage. The Characters insist that they are more “real” than the actors who will portray them. The Father, the main Character, explains that he and the others want to achieve their full life by completing the story that now only exists in fragments in the author's brain. The Director reluctantly agrees to their request.
 
Pirandello said  that  the characters came to him as if alive and stayed in his presence “each with his secret torment and all bound together by the one common origin and mutual entanglement of their affairs....Born alive, they wished to live." And further, "I wanted to present six characters seeking an author. Their play has not managed to get presented--precisely because the author whom they seek is missing.... In these six, then, I have accepted the ‘being’ without the reason for being...."

If this sounds like it has metaphysical overtones, it certainly does. If God created the world, then He is the Author and we are the Characters. (Or are we the Actors?)  We are born alive, but wish to live – to find authentic life. We confront being in search of a reason for being, but for much of our lives we seem only to be acting, playing a part.  This seems to skirt both religion and existential philosophy. For if God is dead, as Nietzsche and other existentialists proclaim, then what of our search for an Author?  

But this is not just, or even basically, a metaphysical play; it has much to do with the theater, with illusion and reality.  It has, grandly, to do with the multiple dimensions of actors as actors, actors as the people they “really” are away from the theater, with the characters the actors portray as they enact the drama, with those characters who live independent of the actors and may be played by altogether different actors. It has to do with the Director (ah – who he?) and, finally, certainly, with the Author. And yet ultimately, it has to do with all of us, with the great human drama. I am reminded of C.S. Lewis trying to illustrate the gulf between creator and that which is created. He compared it to the author of a book vs. the world and the characters in the book.

At one time not long ago when I was writing this, the population of the world was frequently given as six billion in round terms. Naturally it has changed and is changing every day; maybe it’s seven billion or more now. What of it ? – These  are modest numbers compared to the total number of people who have ever lived on earth, which is roughly guessed at by some as 100-110 billion. (This number is fine with me, but the matter of estimating it I find fascinating. In addition to assumptions about rates of population increase and factors like pandemics and ice ages, there are many wonderful questions that arise. Who and when were the first people, and how many of them were there? Does hominid equal homo? Naturally we can’t count the australopithecines but what about Neanderthal? Etc.)  But in order to stay with Pirandello let’s go with the number six billion. 

So here we are: six billion characters in search of an author.Think about it. No,don't just think about it - read the play, or better, go see a performance. (Wait, have all our analyses omitted the rôle of the audience?)



RGB's Dream



Some time ago I had a strangely intriguing dream. It has never returned but I remember it often. Here it is for the reader's Freudian analysis.



George rang the bell. She opened the door in a bathrobe.
“You’re early.”
“Where is it?”
“You’re early.”
“Where is it?”
“I don’t have it.”
“You lying bitch.”
He pushed inside and made a quick survey of the apartment.
“What have you done with it?”
“I stuck it up my ass.”
“Okay.”
He went to the kitchen and came back with a butcher knife.
“I think I’ll have to do some exploratory surgery on a lying bitch’s ass.”
“That’s not a funny joke, George.”
“You’re partly right; it’s not a joke,” he said. He ripped off her robe; she was naked beneath it. She screamed and wrestled away from him. He slashed at her but missed and she ran out the door, still screaming.
She ran naked down the street alongside the parked cars, crying, “Help me! He’s going to murder me!” A car door opened; she ran smack into it and crumpled to the pavement.
Sipping a drink on the patio of a nearby restaurant, Martin saw the woman collide with the car door and knock herself out. He was astonished because she was the woman he had been hired to keep under surveillance, and  he had been about to mosey down the street toward her apartment building. Shouldn’t have ordered that last drink, he thought.

Friday, March 9, 2012

My Evil Twin

My apologies to the legions of my readers for having neglected this blog so long. I have been hunting the white rhino (Swahili: Kifaru) in Namibia and elsewhere for several weeks. Here is a picture of a white rhino in captivity, at the great Kruger National Park in South Africa. 


As is evident in the picture, he is not white but gray. He is also called the square-lipped rhino, for reason that is also evident. National Geographic has a nice article on these guys. For the more fun-loving viewer, you can check out a different kind of white rhino here, and a yet different one at this spot.

As I was saying, I have been out of the country for a good while and, to my considerable consternation,  a person well known to me has taken advantage of my absence to work a bit of mischief. Yes, I am sorry to say that while I was hunting the white rhino in Namibia - to photograph, not to kill - my evil twin Harry has constructed a Facebook page - see "Harry Needmore" - that purports to be his but that utilizes a lot of material  belonging to me. I can’t say what his twisted motivation might be for doing this. Perhaps he wishes viewers to think it is my doing – making my own Facebook page but ascribing it to him. (You see, it is not for nothing that I call Harry my evil twin. Not only evil, but also sick.) But if that is his intention, he makes a number of key mistakes.

A really stupid example of this is naming mah jong (麻將) as one of his/my favorite games. Certainly not mine; I don’t know mah jong from mah dong. More egregious instances are provided by some of the photographs; many are of me but many more are of him. Hah! As if anyone could not tell the difference. Here, for example, are two  pictures from Facebook - which one do you think is Harry . . .


and which one me?




As if anyone could not tell the difference . . . .

So, dear viewers, let me urge those of you who traffic in Facebook to pay careful attention to what you see at the "Harry Needmore" site and do not hesitate to leave your heartfelt comments.
##RGB